The scene is a garage.
Though no trace of a car can be found anywhere within. The space has been converted into a living
area/rehearsal studio. The walls have
been dry walled and finished. The one
window has been blacked out, so that all the light comes from the several track
lights which have been installed in the ceiling. The walls are covered on all sided with
pieces of foam, to aid with sound absorption.
Periodically, between the foam tiles, there hang framed, immaculate poster
of Rush. There are also a few Radio
Heads. A large size poster of The Who’s
Next album is displayed prominently. The
floor seems to be covered with cords.
Every outlet has multiple adapters coming out of it. Clearly the room had to have been re wired to
handle all this flow. Some of the cords
run to the five four foot tall amps placed around the room. Others go to the computer and sound board set
up in one corner. Still others go to the
forest of effect pedals that seem to be everywhere. There is a brand new, incredibly couch in the
middle. There are also a few folding chairs
and a coffee table. Everything is immaculate. Next to the couch is arrayed a line of guitars. All of them are incredibly expensive looking
and very well kept, like everything else in the apartment. The entire scene looks like a display in a
show room. So clean that you doubt any
one lives there. A mini fridge occupies
one corner. Steven sits on the couch
tuning one of the many guitars. He is
using an electronic tuner. He is wearing
incredibly large headphones almost comically so. Steve tightens one of the strings and
sighs. He is waiting for someone.
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